Hornpipes
A
Peck On the Cheek Derek Paice
32-bar
hornpipe. Some guys get all the luck ...
George
Green's College Hornpipe
More
from the East Anglian molly dancing repertoire.
Good
King Wenceslas/Jingle Bells
Yes,
really ... but only in the rainy season.
Tree
Topping Derek Paice
16-bar
hornpipe. This wasn't topping, it was annihilation.
When
We Get Back Derek Paice
32-bar
hornpipe. One day they were gone. All that remained was a text
message saying, "See you when we get back".
Jigs
Don't
Need $26 Derek Paice
32-bar
jig. Anyone who makes a connection between this tune, the first
wave of punk and Geneva Airport knows too much.
Dried
Up Teachers Derek Paice
48-bar
jig. ... become even more obsessive than the ones you wouldn't
want to be trapped at a party with. They telephone to complain
and send abusive letters.
Emerald
Goreham, Robertson, Downey, Lynott arr Derek Paice
64-bar
jig. People often ask if we play any Irish music. Well, yes we
do; this Thin Lizzy classic IS our full Irish repertoire. Look!
If you want Irish music, get an Irish band!
Jeanne's
Joy Derek Paice
32-bar
jig. Raise a glass to the best of the past and for good times
to come.
La
Belle Jardinière Anon - this one can't
remain unattributed, surely? (Dec
2004 version)
Beautifully
heavy 32-bar jig grabbed from near the back of Mel Stevens' "Massif
Central Tune Book No 2".
Mon
Amimour Derek Paice
32-bar
jig, although it should really be played as a waltz. No tune played
in this world could ever do the subject justice. The quest is
always on, but if Derek ever wrote a tune as beautiful as Dark
Isle he could die happily knowing his work was done. A good tune
can survive whatever people do to it. You only have to listen
to some of the dreadful versions of Dark Isle on the web to know
that!
Musing
at Cock Crow Derek Paice
32-bar
jig. No need to guess what time of day this was written. It was
an early attempt to write something specifically for a fiddle
player.
Smash
the Windows trad (Jan
2006 .mp3 version) or you can listen to
2004 recording (smaller file = less download time)
32-bar
jig This is as close as we get to traditional. The Fenland connection
runs deep. Derek first encounted this tune in his earliest molly
dancing days in the mid 80s.
The
Devil Amongst the Groceries Derek
Paice
32-bar
punk jig. Composed in anger after a particularly trying visit
to the supermarket. Why is it that supermarkets in other countries
look so much more interesting? Why does LIDL look the same wherever
you go? And why, oh why, oh why do so many parents take their
children to a supermarket to shout at them? This
extract from 2004 gives an idea of how we often walk the dances
through, before launching into the tune. The second
extract is a little further on in the performance. It's worth
listening to for Ivan's outrageous chords. Maybe he was bored
by the hypnotic 2-chord trick ... The cd
version is without the calling and all the better for it.
The
Divine Miss M Derek Paice
32-bar
jig. No, not Bette Midler. This French lady is renowned in at
least three countries for her great taste, secretarial skills,
crinoline ballgowns and the obvious ownership of any stage upon
which she dances.
The
Week Before Christmas Derek Paice
32-bar
jig. It usually manages to produce a happier outcome than the
Week Before Easter. No one dies in this version.
Twice
Round the Block Derek Paice
32-bar
jig. Some conversations need a good ten mile walk.
Un
Pied Dans La Merde Derek Paice
64
-bar jig. The almost-infinitely more scatological French language
encourages this modest highlighting the unwary pedestrian's urban
experience. Why the French take such huge pride in the appearance
of their towns through magnificent municipal floral displays whilst
allowing their dogs to unload anywhere is baffling to the averagely
repressed ros'bif. On the other foot, it could also be allegorical.
When
Your Friend Becomes Your Mother-In-Law Derek Paice
48-bar
jig. Not an everyday tale of life in this, or any other country.
Polkas
Cafouillée
trad (Jan 2006 .mp3 version)
or you can listen to 2004
recording (smaller file = less download
time)
32-bar
polka. Not only English, but also French tradition informs the
music of The NotV. This is one of the first tunes Derek heard
Blowzabella play and is notated in the indispensable Encyclopaedia
Blowzabellica. It's such a good tune it's been with The NotV since
the beginning.
Cooked
the Cake, Lost the Nozzle Derek Paice
48-bar
polka. Heavy, loud, fast, no prisoners taken - not even time for
a glass of water in the Pachelbellish C-music.
The
Personal Tragedy Derek Paice
48-bar
polka. One of the first tunes Derek tried to score, many years
ago, using "Logic". Whoever thought up the name for
that computer software is either guilty of misrepresentation or
has an imagination befitting a computer programmer. After nearly
3 years of getting nowhere Derek gave up and arranged for a consultant
to visit and train him in its use. Said consultant didn't show,
but later phoned, declaring that a "personal tragedy"
had prevented him fulfilling the engagement. It's intriguing to
consider what might constitute a personal tragedy. Many years
further on and Derek uses Logic regularly. Unfortunately, logic
is often absent otherwise.
Reels
Bricks
and Mortar trad
32-bar
reel. Possibly Canadian ... have to check this one out. Surprised
more people don't play this, it's a jolly fine tune.
Chantal's
Baby Derek Paice
32-bar
reel. Let's celebrate total upheaval in interesting lives!
Every
Bridge In Luton Derek Paice
32-bar
reel. Every bridge in Luton amplifies the sound of one hundred
samba drummers to head splitting volume, specially when the carnival
parade is doubled back on itself and there's nowhere else to go.
Hole
In the Sump Derek Paice
32-bar
reel. A great dance tune and celebration of the effects of driving
an Austin Maestro on to a field at Rookery Farm.
The
Wedding in the Wood Derek Paice
32-bar
reel. See The Parson and the Celt, above.
Valse
Sauteuse de Rett trad
32-bar
reel. More from Encyclopaedia Blowzabellica. Confusingly, while
it may be a "valse" by name, there's not a 3-beat bar
in sight. The idea of a jumping waltz is perversely alluring.
Wrong
Colour Rabbit Derek Paice
32-bar
reel. There was a reason this title was relevant at the time,
I'm sure.
Schottishes
From
the Ouse to the Arve Derek Paice
32
bar schottische. A lifetime's experience taking in the Nene, Wissey,
Waveney and Glaven en route.
Ganivelle
Frederic Paris
32-bar
schottishe. Another simple and beautiful tune composed by the
great man, Frederic Paris.
Go
Your Own Way Lindsay Buckingham
An
eminently suitable title for the tune we use in one particular
dance, where the dancers invariably end up doing exactly what
it says on the tin.
Heacham
Cowboys Derek Paice
20-bar
schottishe. There's much more to Heacham than lavender and caravans
...
Noise
and Pearls Derek Paice
Can't
remember how this one got its title. Maybe there wasn't a very
good reason at all. Now, if only we could have come up with a
title like Paul Hurst's "Nine Ferrets and a Chainsaw".
Rattlejack,
Jaz and the Teaspoon Derek Paice
It's
a family thing ...
Suffragette
City David Bowie arr Derek Paice
Former
band member, guitarist Jarom Paice (now living in the USA), once
said what a great ceilidh tune this would make. He's right, even
if Derek had to interfere with the structure to make it work.
32-bar
schottische, composed in commemoration of John and Carol's wedding,
as was The Wedding in the Wood. They exchanged their vows and
rings in a clearing in a wood on Nick and Suzie's farm at Oxborough
in Norfolk. The ceremony was conducted jointly by a Church of
England vicar and a Celtic celebrant. Carol wore pre-Raphaelite
green and John was splendid in a black kaftan. The wedding reception
featured much music making and was the first time Henry and Sianed
played NotV repertoire.
Tilney
St Lawrence Longdance Derek Paice
48-bar
schottische. Derek lived in Tilney St Lawrence for many years.
It's a nice village with lots of interesting people, one of the
largest in the Marshland area, but it manages to have remarkably
little recorded history. To try and redress the balance Derek
composed this tune and a dance to go with it. Unfortunately, the
dance is too fussy for most ceilidhs, but the tune is not.
Un
Pied Dans L'Eau trad
(Jan 2006 9 minute .mp3
version) or you can
listen to 2004 recording
(smaller file = less download time)
32-bar
schottische done by loads of other people, but we hope we bring
a special something to bear on this simple and beautiful tune
- proof, if any were needed, that if the devil has all the best
tunes he lives in France. A thrilling techno-samba groove complete
with full percussion section in the middle. Well, one has to make
an effort. The same 4 bars repeated over and over has a tendency
to become a trifle too trance-like otherwise.
Waltzes
Ashokan
Farewell Jay Unger arr. David Prestidge
Beautiful
waltz, arranged for the band many years ago by our former guitarist.
Gael,
Leandro, or ... Derek Paice
16-bar
waltz. So, Chantal's baby is a boy, but what did she call him?
Gitane
Eric Montbel
32-bar
waltz. The source music gives only the tune, so the chords are
Derek's idea. It took years to find musicians who would trust
his harmonies enough to play what he'd written. It's not controversial
... just scrumptiously scrunchy in places.
Leziate
Drove Derek Paice
A
romantic 32-bar waltz with a little rocky quote in the B-music
composed as a wedding gift when Stef got married.
The
Battle of the Somme
Another
contribution to the band during the time of former guitar-playing
member, David Prestidge. Not really a surprise he chose a waltz
with this title. He spends a lot of time visiting and studying
WW1 sites in France and Belgium.
The
Highland Boat Song
Another
surprise that this elegant waltz (from Scotland?) is unattributed.
The
Lime and the Pink Derek Paice
32-bar
waltz. One does not always wear black ...
Other
rhythms
Alunelul
Anon
A
simple circle dance involving a lot of shuffling sideways and
stamping. It is a children's dance from Rumania and the name means
"hazelnut". In some circle dance ... er, circles, it
is associated with Beltane (May Day). Allegedly, the Maypole has
phallic associations and the hazel nuts, testicular, but "in
a playful way". This would seem to be a very good reason
never to believe what you are told without corroborative evidence.
Branle
de Bourgoyne trad
Another
hang-over from Derek's Elizabethan days. Why is it that no stand-in
musician can play the "oh so simple" A-music first time
round?
Gimme
All Your Sharp-Dressed Smoke Collected from the
archives of Hill, Gibbons, Beard, Glover, Lord, Paice and Blackmore.
Arranged by Derek Paice from an idea by David Prestidge.
You
don't have to listen too hard to hear quotes from all kinds of
rock classics during our performances. This arrangement of "Gimme
All Your Loving" and "Sharp-Dressed Man" by ZZ
Top has been mixed up with Deep Purple's "Smoke on the Water"
for no particular reason other than Derek wanted to hear what
it sounded like (that is unless one counts revenge on an awkward
aunt who was "difficult" at the birthday party of a
very sprightly 80 year old we played at). Of course, most pop
songs have middle-8s and bridges in them that make them unsuitable
for barn-dancing. Hence some of the tunes you know and love have
been adulterated. One day Derek will have the courage to leave
the tunes alone and make the dancers move out of their 4, 8, 16
and 32 bar straightjackets. Guess we'll have to invent a new form
of ceilidh before that happens.
Gimme
Shelter/Jumpin' Jack Flash Jagger/Richards Arr
Derek Paice
Now
this is more like it. Real traditional music! Ah, that hot summer
day in Hyde Park in 1969 ... All those butterflies! Ohhhh children
... it's just a kiss away
Hanter
Dro sequence Derek Paice/Toby Paice/trad.
Occasionally
we slip into a new-age dreamy meditation. The Breton Hanter Dro
is often best danced with the eyes closed, as long as you aren't
leading the line! This sequence is actually three tunes. Tune
number one never really had a title, Toby's "Raspberry Ripple"
and a poorly recalled version of a song about "Trois Matelots"
from Brittany.
Myhrpolska
Per Myhr arr Derek Paice
32-bar
polska. Sweden produces some of the best musicians in the world.
This tune is from "Groove", an album by one of their
best bands, Hoven Droven. Being a polska, the phrase lengths sound
all wrong and it's sometimes hard to work out where the bar begins,
but it's such a beautiful tune we had to do it. Derek's given
everyone plenty of warning that he wants this tune played at his
funeral! The rest of the band is a little worried that he's going
to attempt to turn Elevation of Love, by the Esbjorn Svennsen
Trio into a ceilidh tune ...
Plane
Fever Derek Paice
32-bar
tango. Considering how often Derek is reduced to a hyperventilating
wreck by crowds, enclosed spaces and heights it is odd that he
flies so often. On one flight his aisle seat was boxed in for
nearly half an hour by the cabin crew's refreshment trolley. As
the panic took hold, Derek took out his manuscript book and music
came to the rescue ... again.
Slashed
In Half Derek Paice
32-bar
polska. It's not often that our tunes reflect any kind of emotional
connection to their titles, but this one does. Over a period of
several months Derek spent many days reworking and recording a
song for a cd project. Each track was by a different artist or
band, but all the music was by the same songwriters. The track
was edited, without his knowledge, to half its length by a production
team that clearly had more of an eye on the clock than they had
on the style and form of the music. Hence a carefully constructed
lancaran-style piece was chopped in and out arbitrarily, in the
middle of phrases, at the beginning and end of the song making
the whole thing sound ridiculous. This tune is dedicated to the
prima donna who dwells somewhere in all of us.
The
Gift of Thora's Grave Derek Paice
48-bar
mazurka written in humble acknowledgement of an extraordinary
act of compassion. Thora is a published academic, currently (and
for many years past) a lecturer in politics at a French university,
although a native of Canada. Derek loves going to Thora's house.
Each visit is an adventure (and it's not just the hairpin mountain
roads!). She recently had an exhibition in a museum in Lyon to
celebrate her book on the history of illustrated characters in
French dictionaries.
The
Horse's Branle trad
Derek
danced a branle to this tune long before he realised it had crossed
over into the folk world. It somehow feels weird to be dancing
what has become, supposedly, the traditional French dance steps
rather than a courtly branle; especially without the aid of doublet
and hose.
Trotto'd
Underfoot Anon, Neithart von Reuenthal, Jimmy Page,
Robert Plant, John Paul Jones, arr Derek Paice
This
tune slams two pieces of medieval music together (a heavily squared
off Danse Royal/Ductia with von Reuenthal's catchy little number
written in the 13th century, "Winder Wie Ist") and mixes
the result, quite unfeasibly, with Led Zeppelin's "Trampled
Underfoot". If nothing else, it is an interesting exercise
in exploring the medieval origins of 70s rock. For those who don't
know, a trotto is a medieval dance and we invariably use this
tune for the oldest dance in the repertoire, a farandole.
Smash
the Windows, Cafouillée and Un Pied Dans
L'Eau were recorded live in January 2006 and are offered in
.mp3 format along with smaller, lower resolution, .wav files of
an older, 2004, ceilidh. Hopefully they give you a flavour of
what we sound like at some points during an evening! Bearing in
mind that many people have broadband and can cope easily with
larger soundfiles, the newer Un Pied Dans L'Eau is offered as
a full 9-minute MP3. The other soundfiles are from the 2004 ceilidh.
Steve is the violinist on the new recordings and Uli on the older
one. We've also put some snatches of the cd, NotV, here
including The Personal Tragedy, The Devil Amongst the Groceries,
A Peck On the Cheek, The Gift of Thora's Grave and Hole in the
Sump.
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